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PostPosted: Wed Feb 27, 2008 8:03 pm 
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JOVE THE MIGHTY THUNDERER
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A lovely number from Handel's Choice of Hercules - "Yet, can I hear that dulcet.." Robin Blaze (countertenor). The hits just have no end...


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PostPosted: Thu Feb 28, 2008 1:34 am 
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^^^ Such beautiful, peaceful music. Since listening to it, I've had it running through my head.


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PostPosted: Thu Feb 28, 2008 1:49 am 
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Leporello87 wrote:
^^^ Such beautiful, peaceful music. Since listening to it, I've had it running through my head.


Agreed. It's absolutely beautiful.

(We could do with a 'that's beautiful' smilie!, a combination of :shock: :) :cry: )


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PostPosted: Fri Mar 07, 2008 1:29 pm 
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Very lovely. Masterful.


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PostPosted: Fri Mar 07, 2008 1:32 pm 
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JOVE THE MIGHTY THUNDERER
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Robert Newman wrote:
Very lovely. Masterful.


And he wrote dozens just like it. Need anyone wonder about my enthusiasm for Handel?

Hey I'm now Lieutenant General!! (mine and Rob's rank graphics need fixing, will do tonight)

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PostPosted: Sat Mar 15, 2008 4:58 am 
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Rod Corkin wrote:
A lovely number from Handel's Choice of Hercules - "Yet, can I hear that dulcet.." Robin Blaze (countertenor). The hits just have no end...



Wow. I've never heard this piece before today and I've listened to it now non-stop for 30 minutes. I forsee a new purchase in my future.

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PostPosted: Mon Mar 24, 2008 9:09 pm 
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This is quite phenomenal playing of Chopin's 'Heroique' polonaise Op. 53 by Dong-Min Lim



Just listen to the left-hand ostinato passage in the bass starting at 03.15 to 03.43! The dynamic control of the gradual crescendo and the sheer stamina involved is absolutely unbelievable!!! It's even more incredible in the repeat. It makes my hand ache just watching him.


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PostPosted: Mon Mar 24, 2008 9:17 pm 
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This is quite extraordinary too: Horowitz playing his own 'Variations on Carmen' at the White House in 1978 in front of Jimmy Carter. The conclusion of the piece, from 03.21 to the end, is the height of spectacular virtuosity allied to consummate showmanship. I know I said that virtuosity per se can be an empty experience but in the hands of a master musician it can also be utterly transporting, moving and thrilling!



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PostPosted: Mon Mar 31, 2008 8:59 pm 
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A very fine, semi-staged performance of the penultimate scene from Mozart's Don Giovanni, with Rodney Gilfrey as the Don, Ildebrando D'Archangelo as Leporello and Andrea Silvestrelli as the Commendatore (the same cast as on the Archiv recording). It's not a typical performance (and the interaction with the audience at the end is a bit annoying) but the electricity is palable! John Eliot Gardiner conducts the English Baroque Soloists. Place yourself back in Prague on the evening of 29th October 1787 when Mozart conducted this piece for the first time. What an extraordinary cultural moment. :o



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Very nice indeed. The man almost convinces me that opera is a viable music form. :) (To be honest, the one and only opera I own is Don Giovanni, so I guess I'm at least partially convinced of the importance of this opera.)

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PostPosted: Tue Apr 01, 2008 10:52 am 
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smileyman wrote:
Very nice indeed. The man almost convinces me that opera is a viable music form. :) (To be honest, the one and only opera I own is Don Giovanni, so I guess I'm at least partially convinced of the importance of this opera.)


:lol: Well if you're going to have one opera then Don Giovanni is a good choice!


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PostPosted: Tue Apr 01, 2008 8:57 pm 
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rich23434565 wrote:
smileyman wrote:
Very nice indeed. The man almost convinces me that opera is a viable music form. :) (To be honest, the one and only opera I own is Don Giovanni, so I guess I'm at least partially convinced of the importance of this opera.)


:lol: Well if you're going to have one opera then Don Giovanni is a good choice!



Here's another good choice! The greatest finale from the greatest opera for you...


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Ew. I jumped straight to the thrilling final chorus, in Beethoven's best tub-thumping manner. The rest of it would've sent me to sleep. Really, it's an opera I cannot bear to listen to. It's one really boring scene after another. I'll stick with Leonore III. :o


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PostPosted: Tue Apr 01, 2008 9:09 pm 
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JOVE THE MIGHTY THUNDERER
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rich23434565 wrote:
Ew. I jumped straight to the thrilling final chorus, in Beethoven's best tub-thumping manner. The rest of it would've sent me to sleep. Really, it's an opera I cannot bear to listen to. It's one really boring scene after another. I'll stick with Leonore III. :o


The opening of the finale is performed a little sedately here (with a theme borrowed from Luchesi apparently), but considering all you have heard is Klemperer's performance, of which the whole of the opera is performed at half the required tempo or even slower, I'm afraid you are not qualified to comment on this music. The whole opera is full of 'tub thumping' moments performed correctly. But the last four minutes of Fidelio says more than the whole of Don Giovanni put together, so either way you are a winner with this youtube.

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PostPosted: Tue Apr 01, 2008 9:19 pm 
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Rod Corkin wrote:
But the last four minutes of Fidelio says more than the whole of Don Giovanni put together, so either way you are a winner with this youtube.


Have you caught Newmanitis: i.e. the ability to spout drivel at the slightest opportunity? :lol:


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